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7
people
that i love-they are my life."
Joining
her on her current tour will be her two youngest daughters, who
might perform if, as Summer says, "I can whip them into shape."
The girls have formed a group and hope to embark on a music career
next year, after the youngest graduates from high school. It is
in talking about her daughters and the business that Donna reveals
her own clearly ambivalent feelings. Asked about their potential
for success, she says, "There are a million talented and more
talented people in the world. It`s not just about talent, it`s about
a lot of things. "She wonders if "they have the guts to
fight it through and live through the hard parts. Success is about
the ability to sustain yourself, or to be sustained through the
hard parts. That, I think, makes a professional."
Though
she won Grammys in 1985 and 1986 for her gospel recordings and had
a number-seven hit in 1989 with "This Time I Know It`s for
Real," Donna says she knows about her hard parts. "Four
or five years ago, right before the anthology came out, it just
started to seem like everything was so difficult in the business,"
she says. "I thought, you know, I just gotta get out of the
thing." For her, the fun was gone. "I told myself I would
get out when it wasn`t fun anymore." The anthology required
her to review more than 8,000 pictures, and one day, lying in her
entry hall looking up at slides against the skylight, she saw images
of herself onstage and having fun. In that moment, she says, her
zeal for performing returned.
Though
she does acknowledge the difficulty many people have had in the
past perceiving her as anything but the queen of disco, she says,
"I think that`s going to change." Her new disc, Live
& More-Encore! contains live versions of many of her old
hits recorded during the taping of VH1 special, plus two new studio
tracks.
Explaining
why she may have been pigeonholed, she explains, "It`s harder
for black people to cross over into different genres because people
expect them to do a certain thing. That`s changing now. But in the
past, it`s been a difficult struggle for a lot of artists."
Summer`s voice sounds richer as before and more textured than ever
before. Asked about her own sense of how she sounds, Donna says,
"I have definitely matured. I don`t need to wail all over the
place. It`s just not my tendency at this point." The music
sounds joyful and fun, and it will probably be beyond anyone`s power
of self-control to keep their feet still while listening. it makes
you want to move.
"I
have lived with
rumors my whole career.
People said I was a
transvestite-hello!"
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Moving is what the music of Donna Summer is all about. "People
are always gonna dance," she says. As the queen of disco, she
may well be the mother, or now possibly the grandmother, of dance,
house and techno. She feels her 20-year-old hit "I Feel Love"
still sounds contemporary. To her, that kind of music fills a basic
need in our society. "In every culture, dance is such an important
part of the way people interact with each other," she says.
Her new CD may serve to introduce her music to a generation of club
kids, most of whom were still in diapers when Donna Summer was last
a superstar. Regardless of what the kids think, hearing "MacArthur
Park," "On the Radio" and "Last Dance"
is sure to stir the hearts and libidos of many an aging disco bunny.
On
of her new songs, "Ordinary Girl," comes from an autobiographical
musical Donna created with Michael O`Martian and Al Kasha.
Alfred
Uhry of Driving Miss Daisy fame will soon begin work on the
script fpr the staging. A full-scale production number may be included
in Donna`s toure if it fits within the framework of the show. rehearsal
for Ordinary Girl, which Summer will star in, won`t begin
until after the conclusion of the current tour and the recording
os a new studio album as part of a new recording deal with Sony`s
Epic label.
"No
More Tears (Enough Is Enough)" pairs Summer with Australian
songstress Tina Arena, who sounds very good, though you will miss
Barbra Streisand. Donna now assumes the senior diva role originally
performed by Streisand. Recalling that collaboration, she says,
"It was exciting for me. When i was in high school, `People`
came out, and that was my favorite song. I used to listen to that
song over and over."
The
first single released from the new album, "I will Go With You,"
was first a hit when recorded in italian by Andrea Bocelli and Sarah
Brightman. Summer wrote new English lyrics and transformed the ballad
into a dance recording. The song retains much of the original lushness
but is now unmistakably a Donna Summer song. The second studio track,
"Love Is the Healer," blends a wide array of sounds and
styles. The message, however, comes purely from her heart. About
commercial appeal, Donna sighs, "When it`s not, it`s not,"
she says. "I don`t read reviews."
About
to embark on her tour, Donna Summer seems ageless. Her energy and
enthusiasm are imparted to anyone who listens to her. Clearly excited,
she points out, "This is what i do." It has been two years
since her time out, which she, without bitterness, characterizes
as playing"sheds". This time she will be performing in
moderately sized venues from New York to California. On the 36 stops
along the way, Summer hopes to entertain her old fans and engage
a legion of new ones. g
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